Chapter 3
the Moon Job

 

I

he road crawled halfway up the mountains north of Pasadena. The switchbacks would have been fun, almost like flying, if I'd been on my motorcycle. Rocinante lumbered into each curve, and every time I swung her through another hairpin, the dead weight of the motorcycle lashed aft yanked at the rear axle, trying to drag the whole rig sideways into the canyon.

Near the top, a billboard rose out of the scrub: VILLA VIEJO, A COMPLETE RETIREMENT COMMUNITY BY LUMINOUS PATH PROPERTIES. The architect's hallucination showed glass-fronted shops and stucco boxes laid out in perfect radiating lines, roads like spokes running from a shopping hub into carefully anesthetized suburbs, all of it smeared across the mountain's verdant flanks. Looking at the rugged, untouched terrain, it was clearly still a paper project. I let the name settle without chasing it. Luminous Path Properties—a paper city with a corporate spine, half a block from a hand-painted cult sign with a moon on it. The two didn't belong on the same mountain, and that was exactly why I noticed them together. A saucer religion in sagging sheds doesn't run an architect's office. Somebody with real money had drawn that grid of spokes and suburbs, and somebody with real money tends not to do it for a man in a turtleneck handing out vows of silence. I filed it the way you file a sound in the next room, and kept driving.

Half a block past that glossy promise, a smaller, beautifully hand-painted sign tilted in the weeds: WELCOME TO THE TEMPLE OF THE RISING MOON. The letters arced around an iconic emblem of a yellow moon circling a blue-and-green planet, like a bumper sticker for cosmic sincerity. A dirt driveway veered off the main road and crept uphill through ragged ivy and scrub. Rocinante barely fit the track, her broad flanks brushing dried vines as if the mountain were closing in on her.

Up ahead, a jumble of structures came into view: old houses, sagging sheds, garages that looked one bad storm away from becoming ruins. Floey's wood-sided station wagon sat in a dirt lot in front of a tired-looking house, the same car that carried so much family history. A staircase nearby climbed a knoll toward a green-painted building with ornate heavy doors and carved gargoyles hunched over the eaves at each corner, leering down as if they knew something the rest of us didn't.

A compact man in his mid-thirties was directing the loading of duffel bags into Floey's station wagon, and I sat with that a moment before I moved. Bags going into her car, not out of it. Whatever was happening on this mountain was happening today, and I'd very nearly driven up to an empty lot. Watts would have said the river only ever flows now; the trick is to be standing in it when it does. I'd arrived in the current by an hour.

I slid Rocinante in beside the wagon, then waded through the trash my friends had deposited all over her cabin to reach the side door and step down into the scene.

I caught my reflection for a split second in the station wagon's side window: tall and thin, early twenties, bluish‑gray eyes watching everything from a face framed by neat, no‑nonsense dark hair that never looked as wrecked as I felt. Handsome? Hell no. Just another lanky intruder with windburn and questions.

The compact man wore slacks and a tight black turtleneck stretched over a soft frame. His face was sharp and ascetic, the kind of angular bone structure that, with longer hair and a beard, would pass for Jesus in a low-budget religious film. The two men hauling the bags had hair and beards straight from a hippie commune dress code, but they were built like mafia bar bouncers, not hired for their conversational skills. That was the first thing worth knowing about the place: muscle dressed as monks. You don't guard a path to enlightenment. You guard money.

"Nice car you've got there," I said. Better to come in soft. Push him on why he had my sister's car and he'd only go behind his guard, and a man braced for an attack tells you nothing. A man who thinks he's winning tells you everything. "Looks like a '59 woody, maybe."

"It's too late," the ascetic said. His voice was flat and composed. "I've already sold it."

"Pink slip and everything?"

"It will be delivered to the new owners after we take these things to the Rising Moon," he said. "Our sailing ship." He said our the way other men say the sky, as if the word settled the matter and there was nothing left to argue. Then he looked at me with calm brown eyes, patient and entirely unhurried, a man who had already forgiven me for a question I had not yet finished asking.

"This looks like my sister's car," I said, letting my gaze travel over the wood panels and worn chrome.

"Your sister is a member of our Brotherhood?"

"Maybe. Her name is Floey Braughn Magnin."

"Ah," he said, as if that explained something. "The silent one. Everyone who joins the Brotherhood must give up all material possessions, of course."

There it was, offered freely, the whole machine in one sentence. Give up all material possessions. The robes and the saucers were set dressing; the play was about ownership. I kept my face the way you keep a glass of water level on a moving train.

"She sign the pink slip over to you?" I asked. It was impossible to picture her surrendering this particular classic. It had been our father's. "Let me see it."

He straightened slightly. "I am Ayer Dada, the founder of the Temple of the Rising Moon. All mundane matters, money, documents, are handled by my followers." He glanced at the staircase going up the side of the building and back. People glance at what they guard—but his glance had something else folded into it, the quick upward check of a man who guards a thing for someone else and is afraid of being caught short. "This…" He spread his arms to encompass the ragged acreage and scattered structures. "All this was my vision, my dream. But I am only the dreamer. The people are the reality. We are a family, sharers of space. Your sister was an important part."

He called it his vision, his dream, and he'd loaded my father's car for himself; and still, when money came up, his eyes went up the stairs as if asking permission. A founder who needs permission isn't the founder. I didn't know whose mountain this really was. I knew it wasn't his.

The two large assistants watched me with unpleasant interest, a sharp contrast to the serene smile crinkling the corners of Ayer's eyes.

"Was?" I said.

"She left us weeks ago," he said. "She is exhibiting paintings she created while with us, in an art gallery in Hollywood."

"I know," I said.

The lie sat between us, and it was a lazy one. Floey had nowhere else to stay in this city and had handed over every cent she owned to this outfit. People don't simply walk away from a place that holds everything they have. They leave through a door someone opens for them, or they don't leave at all. I didn't push on it. You don't tell a man you've caught his lie; you let him keep spending it and watch where it goes.

"Mind if I look around?"

The two bearded musclemen stepped forward as a unit, ready to close the option, but Ayer made a small signal and they held.

"We are open to visitors," he said. "You cannot enter the sacred temple." He gestured toward the green building on the knoll. "But we welcome new members. Ask any of us about the peace found here."

"I'll do that," I said.

I walked toward the brooding main house. As I climbed the creaking steps, I glanced back and saw Ayer talking to his two helpers. A moment later, he slid into the station wagon with one of them and drove off, leaving the larger one planted in the lot, his gaze fixed on me with a guard dog's tense expectation. One watcher left instead of two. He'd taken his certainty with him and left me his nervousness.

Inside, the house reeked of damp wool, old dust, and incense. The front room centered on a gray stone fireplace that had been converted into an altar. A row of candles lined the mantel, wax spilling down the stone in frozen drips of red, blue, and white, forming slow-motion lava flows. Set inside the fireplace opening was a silver-framed photograph of Ayer himself, smiling as if he had just closed a deal on somebody's soul.

Pillows ringed a large rug in the middle of the bare floor. The walls were cloaked in tapestries and framed photographs of gurus, religious figures, and politicians, many of them with Ayer obligingly included in the shot, smiling beside them. Between them ran a series of glossy posters: stylized Mayan pyramids at Palenque and Tikal with luminous saucers hovering over the temples, beams of light hauling stick-figure humans up toward helmeted "gods." A caption about ancient astronaut technology was underlined in red, as if the Maya had been waiting all this time for Ayer to explain their space program.

Palenque. The word was on the wall the way it had been in the air lately, and I let it be just a word. A cult painting saucers over Maya temples, a name I'd heard somewhere in the last few days—it was the kind of pattern the mind builds when it's frightened and wants a map. I didn't trust it. Floey could be in that gallery's storeroom or a ditch off the 5 or a thousand miles south, and a poster on a wall told me exactly nothing about which. I left it where I found it.

A small procession of people shuffled past me as I stood in the doorway. Heads bowed, they moved through the room like sleepwalkers. Near the end of the line, a woman about my age looked up long enough to nod and smile. Behind her, a man with long hair tied back and a wispy beard said in a warm, practiced tone, "Hello, welcome to the Temple of the Rising Moon. Enjoy your visit. I hope you decide to join us."

"Sure," I said, as if that were on my list.

I drifted farther into the building looking for any sign of Floey, trying to grasp her attraction to this place. At the other end of the large room lined with dining tables, I found the kitchen, a cavernous setup with huge pots on an iron stove and the smell of grease and beans hanging in the air. Copper pans and ladles dangled over a counter stacked with trays. Two hollow-eyed girls and a skinny kid of about eighteen were untying aprons in a hurry. A bell clanged in the distance. Above the doorway, someone had tacked a cheap plaster crescent moon flanked by three tiny chrome flying saucers.

"That's the temple bell," the boy said. "We've got to go."

The girls nodded in unison. They did not need the explanation. They already lived by the chime.

I continued down a dark hallway, glancing side to side as I passed two closed doors on my right. An open one revealed a small room with a cot. A girl sat on the edge of it, shoulders slumped, staring at nothing. I started to walk on, then something about the exposed, unfinished way she occupied the space made me stop and back up.

She was blonde, but not the plastic television-commercial kind. More of a soft, pink-toned blond, sun-faded rather than manufactured. A small arc of freckles crossed her nose. She had a good body, but the way she folded in on herself hid most of it. Wrinkled Yale Law sweatshirt, faded jeans, no effort at display.

She didn't fit. Everyone else here moved to the chime; she sat outside it, awake inside a building full of sleepers. A person they'd set apart is a person with a grievance, and a grievance is a door.

"How come you're not heading up to temple with the rest of them?" I asked from the doorway. "Choir kick you out, or what?"

She looked up, blue eyes sharp under the tiredness. "What's it to you? You the new prophet?"

"Just a guy looking for someone," I said, stepping inside and leaning on the frame. "Cutty."

"Paula," she said. "You look like trouble on a bike. Road-burned and underfed. What do you want, Cutty?"

"Couple of things," I said. "That woody wagon outside? My sister's. Floey Braughn Magnin. You know her?"

Paula straightened, a smile ghosting across her mouth. "Yeah. The one with the vow of silence and the crazy paintings. We were roommates. Ayer calls her the devil's rep. You here to rescue her or what?"

Roommates. The word landed and stayed. Not a stranger with a smile. The one person here who'd slept three feet from my sister and watched her up close. And there was something about her that made me want to keep standing in the doorway: awake in a building full of sleepers, sharp where everyone else had gone soft. Whatever Floey had become in this place, Paula had seen it. That made her important. The wanting to stay was also something else, a warmer pull I didn't examine too closely.

"Stirring things up is kind of my hobby," I said. "But you don't look like the chanting type. How'd a law school brain end up here?"

She combed her hair over one ear, her gaze flicking away and back. "Third year, I figured out I believed more in justice than classes and billable hours. I was burning out. My sister Gail drove me up here to get some air. Gail, who wears a blazer to buy groceries and reads a P&L for fun. She thought a few quiet days on a mountain would put me back together. She dropped me off and went home to her spreadsheets. But I stayed. Met Ayer, bought the routine."

"And your family let that ride?"

"They don't know the half of it. They're the opposite of this place." She almost smiled. "My folks call from Florida every week. My aunt sends postcards with dollar bills folded inside like I'm still nine. They're not the problem. The problem's up those stairs." She picked at a thread on her sleeve. "There's a five-hundred-dollar check from Florida with my name on it that Ayer won't give back. My parents sent it, my aunt's idea, supposed to be for traveling. I told him that. I did not endorse it. He says the devil scrambled my soul segments, so I'm off duty and not supposed to talk."

"The devil's rep," I repeated. "That's a lot of title for a woman who took a vow of silence."

Paula shrugged. "He was obsessed with her. Couldn't stand her, couldn't leave her alone. Half the time he talked like she was a problem. The other half, like she was the only one here who mattered. Floey had something naturally he'd been trying to learn for years." She picked at the same thread. "There were men who came up to see the books. Suits. They'd spend a day in the office with Ayer's ledgers, looking grim, and Ayer would sweat through his turtleneck. But it was funny. They'd come down off that mountain having gone up to count his money, and somehow they'd all have met Floey. Asked about her. Like she was the one thing up here worth writing down."

So Ayer's bookkeeping had visitors. Given how fast he was loading my father's car into cash, I could guess why: men in suits don't climb a cult's hill for the chanting; they climb it when the numbers stop adding up. That much fit. The part I set aside, because I had no shelf for it yet, was the rest of what she'd said: that they'd come for the ledgers and left talking about my sister. I told myself it was just Floey being Floey, pulling every eye in the room the way she always had. That was the story that fit what I knew, so it was the story I believed. I was wrong about the size of it, but I wouldn't learn that for a long time.

"Call it a bad contract," I said. "You can cancel it."

A quick, small, reluctant smile slipped out. "You're very sure of yourself for a guy in thrift-store jeans and a biker jacket," she said.

"I fake it well," I said. "Listen, Ayer has someone who handles the money, right?"

She narrowed her eyes. "Why?"

"Because if you want out, we get your check back. Then you've got choices. Bus ticket, plane, whatever isn't full of true believers." And while we were in that room, I'd see what else had a name on it. I kept that part to myself.

She studied me another beat, then stood. The motion made it clear she wasn't wearing a bra. Her breasts shifted under the shirt, and when she saw me looking, she pulled her shoulders back just enough to underline the fact. It was a small, instinctive test. Let's see what the rescuer does with this.

"Fine," she said. "If we're caught, you're carrying me out bridal style."

"Deal," I said. "Though you should know I'm more of a fireman-carry romantic."

"Figures," she said, brushing past me into the hall. Her shoulder bumped mine enough to register. "Law student escaping a cult, with a man who looks like a Hollywood bad boy cop. This is either fate or bad casting."

"We'll fix it in rewrites," I said.

She glanced around the hallway like a defendant checking for the jury. "Everyone's gone to temple," she said finally. "Two hours of chanting, three hours of numb legs, lifetime of brain damage."

"Perfect window for a little white-collar crime," I said. "Lead on, Counselor."

The big man Ayer had left behind was still stationed outside, tracking us. Paula and I headed toward the far side of the dirt lot, parallel to the low hill with the temple on top. The goon fell in behind us with heavy, deliberate steps, close enough that I imagined I could feel his breath at my neck.

I turned and smiled. "How's it going? You know you're missing meditation."

He grunted. Up close, he didn't look particularly bright, but there was an animal gleam in his eye, a glint that suggested he was capable of acting on his own, beyond whatever simple orders he had been given. The orders were the leash; the gleam was the dog. I made a note to watch the dog, not the leash.

"What do you do in there anyway?" I asked. "Meditation's supposed to be a big step on the spiritual ladder around here."

"Paula was talking," he said. "She's not supposed to talk."

"See, that's the problem," I said. "One-man customer service department. No wonder you're tense."

Paula angled toward the stairs to an upstairs office, confirming that was where we needed to go. I started up.

"You can't go up there," the big man said.

"How am I supposed to understand the Brotherhood without seeing the whole operation?" I asked, about a third of the way up. "We're talking about my eternal soul here. There's probably a form."

"You're not allowed," he said. He lunged.

I dodged and dropped sideways off the stairs, hit the ivy-covered slope, and rolled. Roots snagged my clothes. Somebody's discarded sandal skittered away in the loose dirt. Dirt stung my eyes.

"You okay?" Paula called.

"Yeah," I said, blinking and brushing dirt and leaves off my shirt. "Next time I'd like a stunt double."

The big man had smashed the banister in his rush. Now he was coming around the hill, closing with that same steady menace.

"Cutty," Paula said under her breath, edging back toward the garage. "This isn't where we get killed?"

"Not if we move," I said.

Logic said run. But a German shepherd had once come at me exactly like this, growling, advancing, and I'd stopped it by roaring back and charging. I decided to find out if the same trick worked on cult enforcers.

I let out a yell from the bottom of my lungs and ran straight at him. He stumbled backward, startled, and nearly fell over the edge of the ivy bank. While he was still off balance, I snapped a kick at his solar plexus, the kind I'd been taught in a karate class as a kid in Reno.

The kick landed lower than planned.

He folded as if someone had hit a kill switch, hands flying to the point of impact, and collapsed to the ground in a tight, agonized knot. For a second, I worried I'd done something permanent.

Paula stared, then let out a short, disbelieving laugh. "You really do your own stunts," she said. "Remind me never to argue with you."

"Let's grab your check and get out of here before he remembers how to walk," I said. "He doesn't look like the forgiving type."

"Lead on, Sensei," she said, already turning for the stairs. "And for a guy who claims he's not a hero, you're having a very good first act."